- A man is standing on the hillside by a railway track as a train goes past. He turns around and heads back through the cemetery towards the grave of his wife. As he is walking towards the centre of the cemetery he is confronted by a silhouette of a man. Then another silhouette appears behind him and the man drops dead.
3. A man is standing on the hillside by a railway track as a train goes past. He turns around and heads back through the cemetery towards the grave of his wife. As he is walking towards the centre of the cemetery he sees a statue of an angel. He walks over to it and gazes at it. As he turns around he sees a man sitting on the bench by the angel and he is holding a knife.
4. A girl is placing flowers on her granddads grave. Whilst she is doing this there is a shot of a man getting into a car. the next shot is of the girl walking down the road by the cemetery with her headphones in and listening to music full blast. She goes to cross the road and as she does a car comes round the corner and hits her. There is no footage of the car hitting her but simply a black screen with the sound of the car hitting her and speeding off. Then the title of the film comes up and is left on a cliff hanger.
• Camera zooms (as in opening to Psycho) into a close up over the shoulder shot of girl placing flowers on a grave.
ReplyDelete• Enigma (convention) she is wearing a crash helmet so the image of the bent figure is dramatic.
• Close up of rings on her hand???
• Camera zooms out to a parked car.
• Close up of a character (older male watching her?)
• Cut to girl seeing car (POV zooming to man’s face)
• Close up of man winding up the car window
• Close up of wing mirror and girl walking away
• Close up of girl’s boots Doc Martins???)
• Removing crash helmet
• She puts on head phones
• Sees man in car and waves
• Flash back
• Goes over to car and man slumped on seat (flash back)
• Then flashback of her removing a crash helmet in slow motion and blood dripping on grass.
Theory of narrative:
• Flash backs: A flashback is an interjected scene that takes the narrative back in time from the current point the story has reached.[1] Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory.[2] In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future.[3] Both flashback and flashforward are used to create suspense in a story, develop a character or structuring the narration. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to before the narrative started.[4] In movies and television, several camera techniques and special effects have evolved to alert the viewer that the action shown is from the past; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used. This is to avoid causing the viewer to be confused.
Make sure this post is only under Label G321 Thriller Planning.
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